Friday, August 01, 2014

Bring Up the Bodies

As the blacksmith's son rises to power he is constantly reminded that though he may presently enjoy the King's favour he is not noble borne and those that are though they may submit to his judgments while that favour lasts, petty jealousies have them sharpening their knives for the day it ceases. Those who fall out of the King's favour do not usually live to write their memoirs and foreshadowings of that end show up in this volume. As book 2 draws to its close wife number 2 heads to The Tower and number 3 comes to prominence.

In this second novel of the series Mantel is more precise in indicating who is talking. Court as depicted feels like a snake-pit of conflicting interests, petty jealousies, and gossip. One is left to wonder, is this any way to run a country? Given the constant crowd of hangers-on surrounding Henry the lack of privacy and a desire to get away from it all would drive an ordinary mortal to distraction. Does a courtier literally wipe his ass? Through it all Cromwell is a constant of efficiency and order. However Harry may have valued his abilities lesser men envied his position and felt slighted that a man of such low birth enjoyed such power.

The King is depicted as willful, self-indulgent, prideful, and moody. One is left with the nagging suspicion that the man who went through 6 wives in search of a male heir may have been impotent. Did his wives commit adultery as a means of conceiving? No spoilers here as the historical facts are not in question. The book comes off as a work of fiction because the detail it provides is conjecture, Samuel Pepys was not around to record the minutia of these people's lives. There are times this reads like a Russian Novel characters referred to severally by their given names, their noble titles, their nick names, their offices, their church positions, their landed seats.

The final hundred pages read like an inquisition and as the author has Cromwell relate to a minion the process is not about finding truth, justice, or guilt; but finding appropriate guilty parties and settling old scores.

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