Friday, July 08, 2011

The Naming of the Dead

Murder mysteries are not normally a genre I embrace and I’m not normally a follower of the best-seller list but I’ve always been willing to read anything that’s well-written. The Scottish writer Ian Rankin’s Inspector Rebus Series broke onto the literary scene three decades ago and has since stretched to nearly 20 volumes and a few spin-offs. Not only well-written and unabashedly set in the Edinburgh section of Scotland but also redolent of local colour, locations, language, and most particularly its smoky back-room bars; its protagonist, John Rebus, is a heavy-smoking, alcoholic detective so obsessed with his work he has no life outside it. His lifestyle and diet would lead one to believe that most Scots do not live long enough to burden society with supporting their retirement years. In his memoir Rebus’s Scotland, Rankin admits that in the flesh he would probably not get along well with his fictional creation, a sentiment I would share. Working with him would be trying and being his boss, a nightmare. John Hannah portrayed him in a TV Movie version of some of the books and I found him so insufferable I couldn’t watch.

 

Stuck in Oakville I have beguiled my time with my library which I’ve found to contain all the volumes I have yet to read and the one named above is the pen-ultimate opus. Regrettably I have read these books as they became available this side of the pond which is unfortunate because although each book is self-contained, the principal characters age with the story in chronological order. The trade-paperback version I am reading has been given the first-class treatment accorded only best-selling authors: pages of glowing reviews up front, chapter headings given the full-page treatment with slip sheets following, page breaks after each chapter, a large eminently readable font, and heavy quality vellum.

 

Last summer Toronto was held hostage by the circus that is a G-8/G-20 summit and the present novel sees Edinburgh gripped by a similar fate. I said at the time that a remote Arctic Lodge or island seemed a better venue and note that one wag in the novel suggested using a decommissioned oil platform out in the middle of the North Sea. Rebus’ diet tends to fatty takeaway, Chinese, and Indian Curry washed down with copious pints of IPA and Scotch Whisky. His choice in pop music figures strongly throughout the series. Six foot two, over-weight, and bristling at incoming laws against public smoking; a loner who has never been part of any team; the man antagonises his superiors but gets results in spite of or because of his unorthodox methods.

 

Rankin’s style is to have the reader follow the clues along with his detectives. The reader is given no insights that are not available to the people in his storyline. As in real life not every plot is given a satisfying ending and often the reader is left at the end of the tale wondering what just happened to him. Rarely are plotlines tied up in neat bundles for us. Not all crimes are solved. People commit crime and those who would enforce the law are as fallible and those they hunt. Crime sells media and its dissemination makes the public uneasy; police services exist to give people a sense of security, or so writes Rankin. As Scott Turow would have it justice is what can be proven in a court of law. The investigation of crime it would seem is no less arbitrary. When it comes to law, government, and those in power and authority the lines between morality, right and wrong, and justice seem to become blurred. As Rebus approaches retirement his level of cynicism and sarcasm grow, however ever a bull in the china cabinet he is not to be deterred once a mystery strikes his fancy and will worry it like a dog its bone even when saner minds would back down.

 

Success comes with its costs. When Sir Arthur Conan Doyle tired of coming up with new challenges for Sherlock Holmes he finally attempted the ruse of having him killed off to discourage his public. In Exit Music Rankin has Rebus retire. All the same having DS Clarke bring young street cop Todd Goodyear into the fold adds new zest to the mix, he’s even given a tasty back story; leaving the door open for a new round of adventures should the author so wish. Never trust a mystery writer until the last twist on the last page, so much for my insights.