Ysabel

Ysabel by Guy Gabriel Kay is a reality meets fantasy kind of tale. Reality is 15-year-old Ned from Westmount in Provence with his father  who is on a photo-shoot with three assistants. Intersecting is a two-thousand five hundred year old feud between two men over a woman. When the kid gets in over his head his Aunt and Uncle from England show up and he invokes a child’s prerogative and decides, “I want my Mommy”. Mommy was in Darfur with Doctors Without Borders and he’s glad for a valid excuse to remove her from harm’s way. Throw in a girl Ned’s age. On the fantasy side meet Celtic invaders and Romans, Druidic rituals, and an ancient massacre of 200,000 Celts. Throw in French Cafés, ancient ruins, wild boars, enchanted wolves, and shape-shifting owls. If you can buy into all that then you have at base a story of a young man’s coming of age.

The Viceroy of Ouidah

The Viceroy of Ouidah

 

                    by Bruce Chatwin

 

Little seems to have changed in Africa or Brazil in 200 years.

 

Two lines in this 100-page tome stand out:

 

“War is for taking heads, not selling them attached to bodies.”

 

“But Blacks believe the Devil is White.”

 

Chatwin writes his own ‘Heart of Darkness’.

Clay's Way

Clay’s Way by Blair Mastbaum is set in Hawaii. Guide books would have you believe that Hawaiians are a racially tolerant society. These would be written by the same demographers who once termed Oakville the richest community in Canada ignoring majority who live at or below the poverty line. Just last week I was reminded of how much this has become the case when someone panhandled me in the parking lot of an upper class suburban mall. A thing that is common place on the streets of Toronto but unknown until recent years on the streets of Oakville.

 

To Native Hawaiians there can never be forgiveness for the Haoles who invaded their islands and destroyed their culture and way of life deposing their king. Knowing your place is important and enclaves tend to be uni-racial in nature. Attempting to crash a surfing break will make you quickly learn that surfers jealously guard their bits of ocean.

 

As in 1941 today the military is a major presence in the Hawaiian Islands. Their bases are everywhere as must be men in uniform throughout the islands. The dollars and jobs they bring may be welcome but competition for the attention of island females cannot be.

 

Sixteen-year-old Sam is a pain in the ass to his parents and his friends alike. He is not a kid I’d want to meet or have dealings with. He smokes, drinks, tokes and will do whatever drugs he can get his hands on. He skate boards but by his own admittance will never do it well. He does not surf but he dabbles in martial arts and otherwise spends his time hanging with his buddies and beating off. Did I mention he’s gay and he writes Haikus.

 

Much of the book is devoted to his infatuation, nay obsession with nineteen-year-old Clay who embodies the ideals he aspires to. Where Sam’s parents are white Clay’s are Portuguese. Sam possesses an aura, a swagger, a persona Sam would love to emulate. However Sam lacks the body, the years, the self-possession, the machismo, the skills to pull any of it off. Clay is somehow flattered by Sam’s devotion and allows him to play along until the point where Sam becomes a nuisance and an utter embarrassment. There’s being a free spirit and being aware of when to play it cool; Sam never knows when to stop. The end comes with Clay giving Sam a black eye in front of his surfing buddies to recoup his rep.

 

 

Fire

Giving this book the title, “Fire”, is an advertising ploy on the part of its publishers. Only the first two essays of this series, all published first elsewhere, are about Wildfire; the remaining 168 of its 224 pages deal with wide-ranging topics around the world, mainly involving war in all its gory manifestations. The term ‘adrenalin junkie’ seems to have been coined to describe Junger. His book-cover photos reveal an ultra fit wiry frame and a square-jawed face with piercing eyes. Another term once used to describe the author of Source of the Nile, Christopher Ondaatje, would be alpha male. The term fits.

 

Whether the average reader is interested in the science of fire is debatable but it’s sprinkled liberally in these 56 pages. No one could accuse Sebastian Junger of being simply a voyeur though his assignments manage to take him to the world’s least desirable vacation spots. One has to be just a little bit suicidal to jump out of a perfectly good aircraft but to do so into a potentially life-threatening wildfire would seem doubly so. Having read Junger’s War one would come to the conclusion that the man lives for danger. To willingly go to the places he has been and get so close to the action one must either be crazy or value life so little that throwing it away for the sake of a story makes sense. His photographic partner Chris Etherington died reporting on the situation in Libya making Restrepo his final opus.

Alone in the Wilderness

Alone in the Wilderness

                    By Hap Gilliland

 

is set to begin with in Billings, Montana. I’m happy to say that I spent several days in Billings camped beside the Yellowstone River. Flint Red Coyote is a Native American Cheyenne fresh off the Rez attempting to cope with the cultural and social dislocation caused by the move to a big city school. He is fortunate in the friends he picks; Jose, a Mexican-American lad he knew in past years and Tobey a brilliant girl with a mix of Native American and Finnish in her background. His third friend is Roger, a local boy whose grudging respect he wins.

 

The decision to spend three months roughing it alone in the Beartooth Wilderness is occasioned by the rough and tumble of classroom life but challenges Flint in ways he couldn’t originally conceive. Whereas Flint is concerned with learning survival skills that will keep him housed, warmed, and fed in the wilderness his Grandfather Wolf Runner is more concerned with his spiritual and mental preparedness. If  you’ve met the average teen who gets antsy if separated from their i-Pod and texting device you know what I mean. Grown men have been driven mad by solitary confinement, three months alone in the wilderness for a teenager is a life sentence.

 

While Flint collects clothing, a Tipi, dried food, bow and arrows, a sled and builds his stamina by jogging and stair-running Grandfather prescribes prayer and spiritual preparation to teach Flint determination/courage/fortitude, self-confidence. Just before his departure Grandfather sets up a sweat lodge ceremony and recommends that when Flint is ready he should go on a Vision Quest, an “Indian” rite of passage that involves fasting, hallucinatory plants, leading to a dream state in which one is visited by an animal guiding spirit.

 

Flint spends his three months in the wilderness, climbs Montana’s highest peak, finds his totem during a vision quest: a night hawk, survives a blizzard without food, successfully hunts deer with bow and arrow, and after all that ends up rescuing one of his friends who gets turned around coming to bring him home.

Looking For It

Looking For It

                    Michael Thomas Ford

 

This being an author I admire I’m going to examine the mechanics of writing. The fact that he writes gay literary fiction is unimportant, good writing is good writing.

 

How does one introduce the principal characters. Does one jump into the story and introduce them on the fly or take time to describe each in detail. What is important for the reader to know—their physical appearance, their professions, their living arrangements, and in gay lit their sexual preferences, are they out or still closeted. When dialogue is involved do you use he said/she said, “quotation marks”, —dashes, none at all. Whose point of view is the story told from.

 

In the present case a brief chapter is devoted to each main character or character grouping.

 

Mike Monaghan—is bartender at the Engine Room, one of three gay bars in the Cold Falls area.

 

John Ellison is a high school chemistry teacher. Russell Harding is his live-in lover and manages a Department Store.

 

Pete Thayer is a closeted, (to himself), mechanic who likes head without any foreplay, the rougher the better.

 

Simon Bird is a senior who recently lost his life’s partner.

 

Father Thomas Dunn is an Anglican Priest who chose the church over his childhood gay crush. Joseph died of aids but Thomas still cherishes his memory and keeps his picture blaming himself for his friend’s death.

 

Stephen Darby is an accountant who works from his home next door to his parents and his married brother beside them. He engages in online fantasies as bringing someone home is impossible and being out for the night would involve painful explanations.

 

Sometimes it doesn’t pay to look too closely at a text. In Chapter 5 the pot roast is nearly done and pie turned out well but a few pages later the host carries a cake into the dining room.

 

This book involves more gay sex than any of the others I’ve read and it shows up early on in the story. Ford is among a group of gay authors who write literary fiction. This is not bad writing to stimulate someone’s sexual fantasies. However I believe it time he moved beyond writing boy meets girl, or in this case boy meets boy, novels and found themes involving mature lasting relationships. Surely there is more to life than the struggle to come out to oneself and the world. The gay community needs literary role models that involve more than one-night-stands leading to happily ever after scenarios. Life is not a fairy tale—pun not intended.